Disciplines / Research questions

艺术学

7 个研究主题 · 19 个问题

《救世主》的达·芬奇归属争议4 个问题
  1. Validating and calibrating CNN authorship attribution for Leonardo's Salvator Mundi: restoration bias, extreme data scarcity, and mixed-authorship thresholds

  2. Quantitative optical discrimination of the Salvator Mundi orb: solid rock-crystal sphere versus hollow glass under physically based rendering

  3. The seventeenth-century documentary chain of Leonardo's Salvator Mundi: identifying Hollar's 1650 model, the two Stuart royal-collection paintings, and the post-1688 disappearance

  4. Discriminating the physical configuration of the orb in Salvator Mundi: which material, lighting, and geometry hypotheses are consistent with the painted fine illumination effects?

博物馆收藏偏差对艺术史经典形成的影响2 个问题
  1. Causal mechanisms of institutional gender inequality in the contemporary art world and the propagation of legacy-collection imbalance into exposure

  2. The untested agency of museum collection fingerprints: reception effects and field-structure reinforcement

敦煌壁画分期中的风格证据与题记证据冲突1 个问题
  1. The motive and date of the sealing of the Dunhuang Library Cave (Mogao Cave 17)

文艺复兴工作室绘画中的多人协作识别3 个问题
  1. Self-supervised separation of mixed X-radiographs of paintings with incomplete or absent RGB side information: multimodal fusion, expert-aligned evaluation, and unexplained optimization asymmetry

  2. What does the microscale topographic signal of painting brushwork encode? Disentangling the artist's hand from materials, technique change, and conservation in PATCH-based attribution

  3. Surface-topography machine learning attribution of paintings under real historical conditions: robustness to alteration, material confounds, and multiple workshop hands

修复干预造成的原始风格误判4 个问题
  1. Production history of the 'L daVinci'-signed Domitian canvas: extent and chronology of later interventions and the attribution question

  2. The restoration confound in painting attribution: separating the restorer's interventions from the original artist's technique and style

  3. Disambiguating the causes of region-level "not-master" classifications in CNN-based painting attribution

  4. The nine versions of Rembrandt's 'Portrait of an Old Man (Possibly a Rabbi)': completing the technical and provenance authentication of an unexamined group and reconstructing its nineteenth-century forgery pathway

艺术家晚期风格突变与作者误归属区分4 个问题
  1. Validated and Generalizable Stroke-Level Computational Attribution and Authentication of Artist Drawings

  2. Old age style in filmmakers: distinguishing late style from decline and testing the generalizability of Claude Sautet's late-career transformation

  3. Image-based discrimination of copies from authentic van Gogh paintings: the unexplained fine-scale texture signal and robustness to stylistic, material, and imaging confounds

  4. Chronology- and workshop-aware computational attribution of the Rubens corpus: modeling stylistic evolution to distinguish genuine change from misattribution

Rembrandt本人作品与工作室作品的归属边界1 个问题
  1. Interpretable, cause-discriminating computational attribution of paintings: distinguishing the master's hand from workshop participation, restoration, and imitation

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