Disciplines / Research questions
艺术学
7 个研究主题 · 19 个问题
《救世主》的达·芬奇归属争议4 个问题
Validating and calibrating CNN authorship attribution for Leonardo's Salvator Mundi: restoration bias, extreme data scarcity, and mixed-authorship thresholds
Quantitative optical discrimination of the Salvator Mundi orb: solid rock-crystal sphere versus hollow glass under physically based rendering
The seventeenth-century documentary chain of Leonardo's Salvator Mundi: identifying Hollar's 1650 model, the two Stuart royal-collection paintings, and the post-1688 disappearance
Discriminating the physical configuration of the orb in Salvator Mundi: which material, lighting, and geometry hypotheses are consistent with the painted fine illumination effects?
博物馆收藏偏差对艺术史经典形成的影响2 个问题
敦煌壁画分期中的风格证据与题记证据冲突1 个问题
文艺复兴工作室绘画中的多人协作识别3 个问题
Self-supervised separation of mixed X-radiographs of paintings with incomplete or absent RGB side information: multimodal fusion, expert-aligned evaluation, and unexplained optimization asymmetry
What does the microscale topographic signal of painting brushwork encode? Disentangling the artist's hand from materials, technique change, and conservation in PATCH-based attribution
Surface-topography machine learning attribution of paintings under real historical conditions: robustness to alteration, material confounds, and multiple workshop hands
修复干预造成的原始风格误判4 个问题
Production history of the 'L daVinci'-signed Domitian canvas: extent and chronology of later interventions and the attribution question
The restoration confound in painting attribution: separating the restorer's interventions from the original artist's technique and style
Disambiguating the causes of region-level "not-master" classifications in CNN-based painting attribution
The nine versions of Rembrandt's 'Portrait of an Old Man (Possibly a Rabbi)': completing the technical and provenance authentication of an unexamined group and reconstructing its nineteenth-century forgery pathway
艺术家晚期风格突变与作者误归属区分4 个问题
Validated and Generalizable Stroke-Level Computational Attribution and Authentication of Artist Drawings
Old age style in filmmakers: distinguishing late style from decline and testing the generalizability of Claude Sautet's late-career transformation
Image-based discrimination of copies from authentic van Gogh paintings: the unexplained fine-scale texture signal and robustness to stylistic, material, and imaging confounds
Chronology- and workshop-aware computational attribution of the Rubens corpus: modeling stylistic evolution to distinguish genuine change from misattribution